Tassie 50

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I have a great affinity for travel especially to new places and sharing that journey with people who have a like-minded kinship for the outdoors.  Whether on holidays or travelling for work, my eyes hardly ever stop looking even if it does mean making more work for myself when maybe I could be relaxing.  The process of looking, planning and retracing steps all to be at a location for the good light or when the crowds are all at the pub is all part of the journey and adventure.  Recent extended trips over the last two years throughout Europe I picked up some tips and lessons along the way to make such trips simpler, more about that in a future article “VanLife Lessons”.

Simplicity.  So, what does this look to a photographer who enjoys all aspects of the outdoors and capturing lifestyle visuals?  It generally means less gear, no laptop, one tripod, no editing images or a VLOG on top of some lookout until 3am so it can be released the next day before we roll on.  Yes the Terrazza panoramica di Sardagna lookout over Trento, Italy is such a place and the views were great, you can see it in my Return to the Mtns VLOG I made late one night while travelling in Europe.

But no, this was not what I had in mind for this trip.  How did I achieve this and still provide myself a challenge to create and possibly find new ways to shoot subjects? Restrict myself to one camera, one lens and see what I can create.  Now what lens, normally I would grab a wide angle as it’s my favourite perspective, but I am too familiar with that lens and as I said I want a challenge.  Our eyes see equivalent to about 50mm so everyone knows what that looks like so creating interesting images will be a challenge.

The Tassie 50 project was born.  One camera, one lens (50mm) and 50 images from 10days of travelling around the island.  

Tasmania is an amazing place, so nice I was thinking of moving there a few years back.  An idea that still lingers in the back of my brain somewhere waiting for a more opportune time to resurface.  With amazing beaches and coast lines, great mountains and rives to explore and quiet city streets, well quieter than the hustle of Sydney, it’s hard not to love Tassie.   New places was the agenda so a hire car in Hobart with a big clockwise loop saw us travel through Mt Field national park, across the centre to the west coast to the township of Strahan.  After some exploring the coast, we headed north to Cradle Mountain for the summit hike missing it two years ago when we did the full Overland Track.   After enjoying the views from atop we headed to the north coast to enjoy the warm weather and water.   Along the top we took in walks near Port Sorell in hope to see some penguins but only discovered quiet beaches and no crowds something Tasmanians seem to enjoy everywhere.   Then to the east coast for a wedding in Binalong Bay before cruising south to Triabunna taking the ferry over to Maria Island for a night.  Maria Island is treasure chest of beauty and adventure with great camping, mountain bike riding, hiking and plenty of wildlife.  Lastly was some time spent in the Tasman national park especially Cape Hauy checking out Totem Pole and Candlestick two popular rock-climbing pinnacles that jut out of the sea taking shape as their names describe while little sight seeing boats buzz around below in the water. 

So how did the project go?  Well I captured some images that caught my attention.   Some simply for the beauty of the land in front of me and some because I had to work for them.  Some I had to walk away from logging the location into my database of locations hoping to return one day soon and capture an image how I imagined it at that time.  Did I capture anything stellar?  I always reserve my feelings until I return home and look at my images later to see if they still invoke the sense of excitement as when I took them.  Some images do, some don’t which usually is an indication that I should have spent more time with the subject at hand.  But the simplistic ease of just grabbing my camera and not having to think about lenses only to try and capture what I am seeing made me consider what it is that I like in front of me a bit more.  This was a great revision for my creativity and keeping me from going flat in my work shooting the same old ways as always.    It’s all about what you leave out of the frame and not just what is in it that makes great photos something a single lens makes you very aware of.    

Capturing Lifestyle Visuals

Best way to start your working morning.

You know it’s going to be a fun weekend when the morning kicks off at 5am and you’re shooting a timelapse sunrise. Was a busy week of planning and preparing for two events, both trail running, here in Sydney. The 10th annual Maximum Adventure Coastal Classic in the Royal National Park and Run Forest Run for Bare Events.

With any job it all comes down to planning, knowing your locations and working with a great team of organizers, photographers and the support of the local government in the form of National Parks Wildlife Services. Even when weather doesn’t play along with your plans with 50km+ winds.

Getting to film a video for Maximum Adventure in the planet’s second oldest national park was an honour, flying a drone for some great coastal views once all the appropriate red tape requirements were met. A big thanks to NPWS for letting me shoot in the park and show off this great trail running event and location.

Thankfully, Sunday’s weather was a little calmer so the families and fun runners could have their turn at Run Forest Run. Shooting stills with the photography team of my event photography business, Outer Image Collective, was a great way to explore some new trails and witness many families enjoying the outdoors in a healthy lifestyle of activity.

Capturing lifestyle visuals never gets boring and always provides a challenge to create new and exciting content. Watch for the full video promoting Sydney’s best trail running event.

Out Riding… Back in 24

24hour mountain bike racing is always a great event to photograph and it doesn’t end when it gets dark.

24Hr Racing.  It has it all. Solo riders who must be crazy, teams who are only slightly less so and then the newest category 6+6.  Some would say these guys are either geniuses or they have not been struck by the 24Hr MTB race bug.  Either way any chance I get to go shoot a 24Hr event, I cannot wait.  Night photography, sunset and sunrise for beautiful light and harsh midday sun which pushes you to be creative shooting during the “bad light”

So last weekend when the skies flashed their own lights at us, the thunder soon followed after and then the rains had a go.  I thought “No not this weekend” as I sat in the back of my Subaru Outback eating my dinner.  This would not beat me.  I got the rain gear out and prepared to look the storm that was hitting the east coast of NSW straight in the face.  Thankfully, the storm subsided and cities north and south took the brunt, little Awaba MTB park would be spared.

Now I know Awaba well but there are so many twists and turns at this great course but only so many events I get to photograph here, I knew I wanted to get to some less frequented sections to refresh my image archives with some new dirt frames.

I will admit the light was not great, thick grey cloud in a rain forest on an eastern facing slope at sunset…. well you can imagine.  So flash work it was and before long the only option was to do long exposures but I always intended to do this.  I was up at Awaba a month ago with Apollo rider Grant Webster shooting some images for his new light sponsor Nitelights.  This is such a fun type of photography, especially how the riding lights create such interesting streaks of light and light up the riding trail.

One of the best parts about 24Hr is how I get to chat with the riders I know well.  I can see them go thru so many stages of energy.. or the lack of.  I try to let them know I am waiting for them as they approach calling out and giving them a cheer.  Awaba can be a tough course for both photography and the riders but I would not have asked for anything different as each opportunity regardless of weather conditions produces new work.

Cheers Gil