Tassie 50

Tassie50-0022

I have a great affinity for travel especially to new places and sharing that journey with people who have a like-minded kinship for the outdoors.  Whether on holidays or travelling for work, my eyes hardly ever stop looking even if it does mean making more work for myself when maybe I could be relaxing.  The process of looking, planning and retracing steps all to be at a location for the good light or when the crowds are all at the pub is all part of the journey and adventure.  Recent extended trips over the last two years throughout Europe I picked up some tips and lessons along the way to make such trips simpler, more about that in a future article “VanLife Lessons”.

Simplicity.  So, what does this look to a photographer who enjoys all aspects of the outdoors and capturing lifestyle visuals?  It generally means less gear, no laptop, one tripod, no editing images or a VLOG on top of some lookout until 3am so it can be released the next day before we roll on.  Yes the Terrazza panoramica di Sardagna lookout over Trento, Italy is such a place and the views were great, you can see it in my Return to the Mtns VLOG I made late one night while travelling in Europe.

But no, this was not what I had in mind for this trip.  How did I achieve this and still provide myself a challenge to create and possibly find new ways to shoot subjects? Restrict myself to one camera, one lens and see what I can create.  Now what lens, normally I would grab a wide angle as it’s my favourite perspective, but I am too familiar with that lens and as I said I want a challenge.  Our eyes see equivalent to about 50mm so everyone knows what that looks like so creating interesting images will be a challenge.

The Tassie 50 project was born.  One camera, one lens (50mm) and 50 images from 10days of travelling around the island.  

Tasmania is an amazing place, so nice I was thinking of moving there a few years back.  An idea that still lingers in the back of my brain somewhere waiting for a more opportune time to resurface.  With amazing beaches and coast lines, great mountains and rives to explore and quiet city streets, well quieter than the hustle of Sydney, it’s hard not to love Tassie.   New places was the agenda so a hire car in Hobart with a big clockwise loop saw us travel through Mt Field national park, across the centre to the west coast to the township of Strahan.  After some exploring the coast, we headed north to Cradle Mountain for the summit hike missing it two years ago when we did the full Overland Track.   After enjoying the views from atop we headed to the north coast to enjoy the warm weather and water.   Along the top we took in walks near Port Sorell in hope to see some penguins but only discovered quiet beaches and no crowds something Tasmanians seem to enjoy everywhere.   Then to the east coast for a wedding in Binalong Bay before cruising south to Triabunna taking the ferry over to Maria Island for a night.  Maria Island is treasure chest of beauty and adventure with great camping, mountain bike riding, hiking and plenty of wildlife.  Lastly was some time spent in the Tasman national park especially Cape Hauy checking out Totem Pole and Candlestick two popular rock-climbing pinnacles that jut out of the sea taking shape as their names describe while little sight seeing boats buzz around below in the water. 

So how did the project go?  Well I captured some images that caught my attention.   Some simply for the beauty of the land in front of me and some because I had to work for them.  Some I had to walk away from logging the location into my database of locations hoping to return one day soon and capture an image how I imagined it at that time.  Did I capture anything stellar?  I always reserve my feelings until I return home and look at my images later to see if they still invoke the sense of excitement as when I took them.  Some images do, some don’t which usually is an indication that I should have spent more time with the subject at hand.  But the simplistic ease of just grabbing my camera and not having to think about lenses only to try and capture what I am seeing made me consider what it is that I like in front of me a bit more.  This was a great revision for my creativity and keeping me from going flat in my work shooting the same old ways as always.    It’s all about what you leave out of the frame and not just what is in it that makes great photos something a single lens makes you very aware of.    

Packing with Mont

Backcountry-80L-backpack
Whether deep within an Icelandic cave, striding out countless steps along the beautiful trails of the Overland Track in Tasmania or peak bagging the Alps of Europe I have been extremely fortunate to have the support of Mont Adventure Equipment during my travels shooting great places like these.  Quality outdoor wear, rainwear and shelter makes my job easier allowing me to stay out longer and capture more.  But one key piece of equipment all photographers will attest to is the backpack, without one you are going nowhere fast and without the correct one you will struggle to have the right gear with you when you need it most.   I have used a variety of “camera” bags over the  years and have a few in the closet now waiting to be picked up at any notice but what I have found lately is that no one camera bag does it all and none of them suffice when you need to go big and carry a wide variety of gear for big hikes or to shoot with a lot of gear for that client or project.  Enter the Mont Backcountry 80litre backpack.  Many creatives are going lightweight with mirrorless or small foldup drones, I still believe strongly that quality is king, not just content.  By this I mean I want bigger sensors in my drone with larger dynamic range, a full-frame DSLR and quality glass with amazing autofocus and tough as nails weatherproofing. With these quality professional items plus add your personal outdoor gear and before you know it a pack can easily weigh 30kg+.   Now, I still use my F-Stop Tilopa 90% of the time during weekend events or client shoots but when I need a diverse range of gear on my back or be out for an extended period and carry it all comfortably then the Backcountry has never let me down.   Let’s run through what I carry in this pack and why.  It can give other photographers insight into what I use to capture content but what they also may need as personal. kit.  So starting with my Mont gear in this photo I have a hat and clothes for warm weather and sun protection.  Inside the Backcountry are the lightweight 2/3-season Moondance 2FN tent, Brindabella Hydronaute XT bag for winter or the amazingly light Zero Super Light bag for summer.  Other items for cooler climates would be my Mont Ascent Jacket softshell, my waterproof Odyssey Jacket along with a long sleeve Lifestyle Adventure shirt and Adventure  Light pants. Other items as shown are Spot Gen3 GPS messenger for updating family on my whereabouts or emergencies, F-Stop Navin is connected using 2x S-carabiners with my Panasonic Lumix GX8 or Nikon D810 camera for quick and easy shooting. Tripods on the sides vary depending on shoot plans but at most would be my still setup of a Manfrotto 055CX3 and Really Right Stuff BH-40 ball head.  If shooting video or for extra timelapse shooting I take my Gitzo GT3530LSV and Manfrotto MVH500AH fluid video head.  A small Manfrotto Off-Road tripod for flash stand or VLOG shooting comes in super handy.   So more about the Backcountry pack as this is the main item I wanted to share about.  This is a top-loading multi-day hiking pack designed for tough Australian conditions using canvas fabrics and a fully adjustable harness.  After using this pack and switching from my other pack, reputable german brand Deuter, I found a few interesting surprises.  I was expecting the pack to be heavier as many brands now opt for lighter (less durable) nylon/polyester fabrics but found this to be the opposite.   Next, the harness is smaller and less bulky and even though it is fully adjustable and well designed I expected some getting used to.  Wrong.  Immediately the harness was comfortable, gave me better freedom of movement and distributed weight extremely well.  The only improvement I could suggest is a larger lumbar pad but that’s just me, I like how a larger pad rests on the little concave part of my lower back.  I have a narrow torso/hips so don’t have to overly tighten the waist belt if the pad is bigger.  However, I have only ever tried on one pack in my life that had this so hardly a negative for Mont but more a norm for the industry in my opinion.    This pack has seen the Australian MainRange in winter split-boarding the backcountry, Overland Track in Tasmania, Austria, Switzerland, Norway, Iceland, and Italy but hardly shows any signs of wear.  One thing I get asked when talking to new people is “what type of photography do you do?  Weddings? Portraits?”  I tell them outdoor lifestyle and sports, the reply is “Oh football, rugby, cricket” and when I explain the enjoyment of wearing such packs and going deep into a track or heading into a remote area to get a unique shot with all the gear I get a funny look almost like as if I am a bit crazy.  But this has been the best pack I have ever had the pleasure of using and maybe I am crazy but with gear this good the job is a lot easier and more enjoyable along the way.
The midnight sun peaks below the cloud cover breaking thru the fog to light the numerous peaks that line the west coast of Lofoten Island, Norway

Visuals 2017

The midnight sun peaks below the cloud cover breaking thru the fog to light the numerous peaks that line the west coast of Lofoten Island, Norway

What a year!…

New events, places visited and people met and all through photography and an outdoor lifestyle at sporting events, traveling, and personal adventures.  

Meeting new photographers/videographers from the UK, Austria, Germany, and Italy while partaking in events in Austria, Italy, Iceland, and Norway were the highlights of my year.  Sharing a “van-life” adventure throughout Europe with my partner is something I will never forget.  Seeing how other photographers work and what they create has urged me on to do, see and improve even more in 2018.  

Below are some of my favourite images from the year covering mountain bike races, working with trail runners, exploring new countries and extending my array of images using new technologies like drones for aerial photography.  A big part of my work this year has been outdoor lifestyle and landscapes, not in the traditional sense of sunrises or panoramas but more about people in the landscape.  Showing how much is out there to discover and explore.

I hope your year was as magnificent as mine and that some of my images be an inspiration to get out, do more and see more in the next 12months as I do plan myself.  Enjoy.