Reflecting on Visuals: Why 2023 Sucked and How 2024 Will Shine

Yep, you heard me right – 2023 sucked. Well, at least from my perspective as a visual artist. Let me explain. As someone who likes to review my work at the end of each year to assess progress and set goals for improvement, skipping this routine in 2022 left me feeling adrift in 2023. Personal and logistical factors, like moving house after over two decades, consumed my attention and left little room for creative growth.

As I sat down to review my shots from 2023, I noticed a pattern: a stagnation in my work. While there was nothing inherently wrong with my photographs, they lacked innovation and novelty. After over a decade in the field, falling into the trap of repetition dealt a heavy blow to my creativity and left me feeling stuck in a rut.

However, it’s essential to acknowledge that 2023 wasn’t devoid of highlights. I had the opportunity to capture new events for fresh clients, such as Bicycle Network’s Orange Newcrest Orange Challenge and Quad Crown’s The Black Pearl stage race.  Plus regular commercial work for OzTent had me shooting lifestyle and studio product images for their new product ranges with occasional videos in the mix.  Despite these successes, complacency crept in, reminding me that coasting along without actively seeking growth can lead to stagnation.

Looking ahead to 2024, I’m determined to break free from this rut. Plans for travel photography adventures with my partner on touring bikes, exciting new roles with longstanding clients like Rocky Trail Entertainment, and a plethora of fresh projects signal a revitalization of my creative spirit. While event numbers may be on the decline compared to the hectic pace of 2023, I see this as an opportunity rather than a setback. Having some breathing room in my schedule will allow for deeper exploration, experimentation, and ultimately, more meaningful artistic output.

So here’s to 2024 – a year of renewed creativity, growth, and adventure in the world of visual storytelling. Let’s Go.

Visuals 2019

It’s that time. We all like to sit and reflect on the year that has just passed past us and recall the laughs, the challenges and the victories. Never is it an even balance for me with some years being a home run hit smashing it out of the park, others feel like they pass so quick that my list of goals feels neglected. 2019, feels a little of the latter but when I take the time to sit and do a proper review I always find that actually, the camera trigger button got quite a workout.

So after spending the best part of two days going through my Lightroom catalogue and the 44,580 images within the 2019 folder, I feel the number is low. This number feels low but is comparable to previous years, counting only the final “keepers” minus the countless rejects, timelapse images and test shots. Low as I felt I shot so much more than that, especially as I needed to do some big overhauls in my NAS storage and acquiring new USB drives to house all the content.

What I have not included in this number are all the video clips that I shot this year, as it was one of my main goals for 2019. Shooting four videos for one of my long-standing photographic clients allowed me to scratch an itch and I will be continuing that in 2020 but more on that in an upcoming post.

Lightroom offers a lot of info using the metadata captured in each frame, not very informative with a single frame but multiplied 44,580 times and some patterns start to appear. I won’t bore you with the details but I’ve seen a swing in my chosen focal length and a resounding consistency for one aperture. Little pieces of gold like this are a quick way to see new ways to mix up my style for the coming year.

More interestingly, for me anyway, even though I consciously made some decisions to shoot differently in 2019 my final 20+ images have one distinctive pattern to them, something I have always done and obviously appeals to my eyes. This creates a few questions in my head “Can I change my style, what means change and should I?”

This year saw less travel and more focus on local events with a resounding tilt to MTB racing. Each image has it’s own story to tell, click on any of the thumbnails to view it full screen and read the description about why it made my final selection. So without further ado here they are.

The midnight sun peaks below the cloud cover breaking thru the fog to light the numerous peaks that line the west coast of Lofoten Island, Norway

Visuals 2017

The midnight sun peaks below the cloud cover breaking thru the fog to light the numerous peaks that line the west coast of Lofoten Island, Norway

What a year!…

New events, places visited and people met and all through photography and an outdoor lifestyle at sporting events, traveling, and personal adventures.  

Meeting new photographers/videographers from the UK, Austria, Germany, and Italy while partaking in events in Austria, Italy, Iceland, and Norway were the highlights of my year.  Sharing a “van-life” adventure throughout Europe with my partner is something I will never forget.  Seeing how other photographers work and what they create has urged me on to do, see and improve even more in 2018.  

Below are some of my favourite images from the year covering mountain bike races, working with trail runners, exploring new countries and extending my array of images using new technologies like drones for aerial photography.  A big part of my work this year has been outdoor lifestyle and landscapes, not in the traditional sense of sunrises or panoramas but more about people in the landscape.  Showing how much is out there to discover and explore.

I hope your year was as magnificent as mine and that some of my images be an inspiration to get out, do more and see more in the next 12months as I do plan myself.  Enjoy.